Profile

Book

2015

• Particular Modernity/Modernism: Locating Modernist Moments in Czech and Slovak Literature. Faculty of Education. Bratislava: Comenius University.

Articles

2015

• “‘Diversity in Unity’: Chulalong University-Visegrád 4 Collaboration Project”. The Visegrád Group and Thailand: Diversity in Unity. Booklet Published by the Centre for European Studies at Chulalongkorn University on the Occasion of “Diversity in Unity: Central Europe’s Past and Present”: The Visegrád Open Day Lecture and Launch of the Chulalongkorn University-Visegrád 4 Collaboration Project (14 May 2015) Maha Chulalongkorn Building, Chulalongkorn University, Bangkok, Thailand: 11-13.

• “The Visegrád Group and Thailand: Transcending the ‘Freezer-Purgatory’ Dilemma”. The Visegrád Group and Thailand: Diversity in Unity. Booklet Published by the Centre for European Studies at Chulalongkorn University on the Occasion of “Diversity in Unity: Central Europe’s Past and Present”: The Visegrád Open Day Lecture and Launch of the Chulalongkorn University-Visegrád 4 Collaboration Project. 14 May 2015 Maha Chulalongkorn Building, Chulalongkorn University, Bangkok, Thailand: 36-39.

• “จุดสุดยอดแห่ง One Night Stand กับ Citizenfour และจุดยืน Open Relationship แบบวา สลาฟ ฮาเวล” [“The Orgasm of One Night Stand with Citizenfour and Václav Havel’s Stance on Open Relationship”] ประชาไท. (30 มีนาคม 2558) http://www.prachatai.com/journal/2015/03/58630

2014

• “‘Because Slovaks are the best people in the world and the Slovak language is the most beautiful language in the world’: Defamiliarising the Slovak ‘Imagined Community’ in Samko Tále’s Cemetery Book”. Ars Aeterna. Vol. 6 (Issue 2): 39–47. ISSN (Online) 1337-9291, DOI: 10.2478/aa-2014-0012, December 2014 http://www.degruyter.com/view/j/aa.2014.6.issue-2/aa-2014-0012/aa-2014-0012.xml?format=INT

• “โบว์ไตรรงค์อันใหญ่ กระเป๋าลายรักชาติสดใส นกหวีดหลากสีไฉไล ภาพสะท้อนจริยธรรมที่ใฝ่ฝัน?” [“Big Thai Flag Hair Ribbons, Stylish Patriotic Bags, Chic Colourful Whistles: Reflection and Projection of Ethical Fantasy?] ประชาไท. (30 มกราคม 2557) http://prachatai.com/journal/2014/01/51512

2013

• “‘Why should we welcome the King of England? Didn’t Parnell himself…’: James Joyce’s (Re-)Vision of ‘Englishness’ and Virginia Woolf’s (Re-)Vision of ‘Irishness’ as Postcolonial Symptoms”. Revisiting James Joyce. Eds. Dagmar Blight and Mária Kostelníková. Offenbach: KIRSCH-Verlag, 2013, 33-47. ISBN 978-3-933586-96-4

• “That Alluring Land (Tá zem vábna) Which They Both Have Never Seen: Imaging and Imagining America in the Words of Timrava and Virginia Woolf”. Ars Aeterna. Vol. 5. No. 1. Word and Image in Contemporary Culture. Nitra: Constantine the Philosopher University, 2013: 19-33. ISSN: 1337-9291.

• “มาเรีย คลารา Inang Pilipinas: Subaltern และ เรื่องราวเบื้องหลังชุดสตรีประจำชาติฟิลิปปินส์ที่โลกลืม” [“Maria Clara, Inang Pilipinas: Subaltern and the Story behind the Philippines National Costume”]. ประชาไท. (15 มกราคม 2556) http://prachatai.com/journal/2013/01/44691

2012

• “‘Like Father, (Un)like Daughter’: Virginia Woolf the Essayist on/amidst Sir Leslie Stephen’s Victorian ‘Atmosphere’”. From Queen Anne to Queen Victoria: Readings in 18th and 19th Century British Literature and Culture. Vol. 3. Eds. Grażyna Bystydzieńska and Emma Harris. Warszawa: Uniwersytet Warszawski. Ośrodek Studiów Brytyjskich, 2012: 455-462.

• “Il Deserto Rosso (Red Desert): อับจนหนทาง นาวาอับปาง สิทธิสตรีถูกทิ้งขว้าง กลาง ‘ทะเลทรายสีแดง’” [Film Review: “Il Deserto Rosso (Red Desert)”]. ประชาไท. (1 ธันวาคม 2555) http://prachatai.com/journal/2012/12/43980

• “The Taste of Money: กังนัมกลลวง รสรักเงินร้อนรุมเร้า แรงงานแรงเงา แผดเผาชนชั้นสังคม” [Film Review: “The Taste of Money”]. ประชาไท (17 พฤศจิกายน 2555). http://prachatai.com/journal/2012/11/43704

• “‘In so narrow a space you must choose your note and strike it firmly’: Virginia Woolf’s Essays as Spaces of Juxtaposition and Creative Appropriation”. Ex-changes: Comparative Studies in British and American Cultures. Ed. Edyta Lorek-Jezińska and Katarzyna Więckowska. Cambridge: Cambridge Scholars Publishing, 2012: 21-36. ISBN: 1-4438-4159-5

• “‘Martin was in the jungle alone, and the sun was sinking’: The Weather, Culture and Identity in Virginia Woolf’s The Years”. Identities in Transition. Ed. Georgina Tsolidis. E-Book. Oxford: Inter-disciplinary Press, 2012: 159-166. ISBN 978-84888-082-5 https://www.interdisciplinarypress.net/online-store/ebooks/diversity-and-recognition/identities-in-transition 2011

• “‘My Receptacle of a Mind’: Spatial Metaphors in Virginia Woolf’s Essays”. Studies in Foreign Language Education. Vol. 3 (December 2011). Ed. Gabriela Lojová and Mária Kostelníková. Institute of Philological Studies, Department of English Language and Literature, Faculty of Education, Comenius University, Bratislava in cooperation with Slavisches Institut, Universität zu Köln. Offenbach am Main: Offset- & Digitaldruck Lindemann, 2011. ISBN 978-3-933586-85-8

• “‘Carrying consciousness like a feather on the top, marking the direction, not controlling it’: Virginia Woolf and Buddhist Consciousness”. Consciousness, Theatre, Literature and the Arts. Ed. Daniel Meyer-Dinkgräfe. Cambridge: Cambridge Scholars Publishing, 2012: 88-98. ISBN (10): 1-4438-3458-0, ISBN (13): 978-1-4438-3458-2

• “‘It was an uncertain spring’: Reading the Weather in The Years” in Virginia Woolf and the Natural World: Selected Papers from the Twentieth International Conference on Virginia Woolf. Ed. Kristin Czarnecki and Carrie Rohman. Clemson: Clemson University Digital Press, 2011. ISBN 978-0-9835339-0-0 http://www.clemson.edu/caah/cedp/cudp/pubs/vwcon/20.html

• “‘Unleashing the Underdog’: Technology of Place and Virginia Woolf’s Flush” in Voices: Postgraduate Perspectives on Inter-disciplinary. Ed. Kathryn Vincent and Juan Fernando Botero-Garcia. Cambridge: Cambridge Scholars Publishing, 2011. ISBN13:978-1-4438-3183-3, ISBN: 1-4438-3183-2

2009

• “A Concise History of Samaggi Samagom” in the Samaggi Samagom brochure and webpage www.samaggi.org/about_us

• “‘Unleashing the Underdog’: Technology of Place and Virginia Woolf’s Flush” in FORUM: The University of Edinburgh Postgraduate Journal of Culture and the Arts http://www.forumjournal.org/site/issue/08 ISSN 1749-9771

2008

• “ทอมไทยและเทศ” ในจอและแผ่นกระดาษ: การวิพากษ์แนวคิดอัตลักษณ์ความเป็นชายขอบ (Marginality) ของ “ทอม” ในงานวรรณกรรมและภาพยนตร์ยอดนิยมของไทยและตะวันตก (“‘Thai and Foreign Tomboys on Screen and Paper’: An Analysis of the Marginal Identity of Tomboys in Popular Film and Literature”). รายงานการประชุมประจำปีเพศวิถีศึกษาในสังคมไทย ครั้งที่ 1 หัวข้อ: วิพากษ์องค์ความรู้และธรรมเนียมปฏิบัติเรื่องเพศวิถีศึกษาในสังคมไทย. ธวัชชัย พาชื่น และพิมพวัลย์ บุญมงคล, บรรณาธิการ. สำนักงานเลขานุการจัดการประชุมประจำปีเพศวิถีศึกษาในสังคมไทย ครั้งที่ 1โครงการจัดตั้งสำนักงานศึกษานโยบายสาธารณสุขฯ คณะสังคมศาสตร์และมนุษยศาสตร์ มหาวิทยาลัยมหิดล. กรุงเทพฯ: โรงพิมพ์เจริญดีการพิมพ์, 2551: 147-157.

• “Literature and the Construction of Identity in Alistair MacLeod’s No Great Mischief” in Thoughts: Journal of the Department of English, Chulalongkorn University http://www.arts.chula.ac.th/~english/documents/thoughts08.html

• “In Memoriam: Her Royal Highness Princess Galyani Vadhana Kroma Luang Naradhiwas Rajanagarinda” printed on the wall of the Jim Thompson House and Museum, Bangkok

2007

• “A ‘Right Poet’ in his Means, (a ‘Modern Poet’ in his Ends): John Donne and the Concept of the ‘Right Poet’ in Sir Philip Sidney’s An Apology for Poetry” in Thoughts: Journal of the Department of English, Chulalongkorn University http://www.arts.chula.ac.th/~english/documents/thoughts07.html

Book Reviews

2015

• “Virginia Woolf and December 1910: Studies in Rhetoric and Context Makiko Minow-Pinkney, ed.; Virginia Woolf and the Problem of the Subject: Feminine Writing in the Major Novels by Makiko Minow-Pinkney”. Woolf Studies Annual. Vol. 21 (2015). New York City; Westchester: Pace University Press, 2015: 166-171. ISBN: 978-1-935625-19-3 ISSN: 1080-9317

2014

• “New Revision of Modernist Literature and the Desire for Life in Death: A Review on Martin Hägglund’s Dying for Time: Proust, Woolf, Nabokov”. Thoughts: Journal of the Department of English, Chulalongkorn University. (2013): 133-135.

2013

• Etkind, Alexander. Internal Colonization: Russia’s Imperial Experience. Cambridge: Polity Press, 2011. 264 pp. ISBN: 9780745651309. Consciousness, Literature and the Arts. Vol. 14. No. 3 (December 2013). Lincoln School of Performing Arts, University of Lincoln. ISSN 1470-5648 http://blackboard.lincoln.ac.uk/bbcswebdav/users/dmeyerdinkgrafe/current/etkind.html

• Hägglund, Martin. Dying for Time: Proust, Woolf, Nabokov. Cambridge, Massachusetts: Harvard University Press, 2012. 197pp. ISBN: 9780674066328. Consciousness, Literature and the Arts. Vol. 14. No. 1 (April 2013). Lincoln School of Performing Arts, University of Lincoln. ISSN 1470-5648 http://blackboard.lincoln.ac.uk/bbcswebdav/users/dmeyerdinkgrafe/archive/h%C3%A4gglund.html

2010

• Virginia Woolf and the Literary Marketplace. Ed. Jeanne Dubino. New York: Palgrave Macmillan, 2010. 263 pp. {pound} 52.50. ISBN 978-0-230-10706-9 Forum for Modern Language Studies 2011; doi: 10.1093/fmls/cqr059 http://fmls.oxfordjournals.org/content/48/3/360.3.full

2008

• “Probing the ‘Poco’: John McLeod’s Beginning Postcolonialism”. Thoughts: Journal of the Department of English, Chulalongkorn University http://www.arts.chula.ac.th/~english/documents/thoughts08.html

Book Translation

2010

• Tantisiriwat, Worachai. H.M. King Bhumibol Adulyadej’s Ingenious Concept of ‘Sufficiency’ through Architecture. Translated from Thai to English by Verita Sriratana. Sufficient Architecture Series. The Association of Siamese Architects under Royal Patronage (ASA) and Siam Cement Group (SCG). Bangkok: Bangkok Printing, 2010.

2007

• นิคอเละ ระเด่นอาหมัด. ไข่นุ้ยกับแพะน้อยในวันฮารีรายอ. Harirayo Day for Kai Nui and the Kid. แปลโดย วิศรา วิจิตรวาทกร และวริตตา ศรีรัตนา. สมุดภาพนิทานพื้นบ้าน-ภาคใต้ 2 ภาษา (ไทย-อังกฤษ). กรุงเทพฯ: บริษัท แปลน ฟอร์ คิดส์ จำกัด, 2550.

• นพดล ทัศวา. เมืองน่าอยู่ที่หนูรัก. The Neighborly City that I Love. แปลโดย วิศรา วิจิตรวาทกร และวริตตา ศรีรัตนา. สมุดภาพนิทานพื้นบ้าน-ภาคใต้ 2 ภาษา (ไทย-อังกฤษ). กรุงเทพฯ : บริษัท แปลน ฟอร์ คิดส์ จำกัด, 2550.

• นพดล ทัศวาและบุญส่ง ลอยสุวรรณ์. เปาะแซเดาะกับซามะ. Pawsaedaw and Sama. แปลโดย วิศรา วิจิตรวาทกร และวริตตา ศรีรัตนา. สมุดภาพนิทานพื้นบ้าน-ภาคใต้ 2 ภาษา (ไทย-อังกฤษ). กรุงเทพฯ : บริษัท แปลน ฟอร์ คิดส์ จำกัด, 2550.

• นพดล ทัศวาและสำราญ เพ็ชรชัย. ไก้ โกง มูสัง. The Rooster Outwits Musang. แปลโดย วิศรา วิจิตรวาทกร และวริตตา ศรีรัตนา.สมุดภาพนิทานพื้นบ้าน-ภาคใต้ 2 ภาษา (ไทย-อังกฤษ). กรุงเทพฯ: บริษัท แปลน ฟอร์ คิดส์ จำกัด, 2550.

• สุนันท์ แก้วรัตน์. ซีงอ เจ้าป่าผู้กล้าหาญ. Singaw: The Brave Jungle Ruler. แปลโดย วิศรา วิจิตรวาทกร และวริตตา ศรีรัตนา. สมุดภาพนิทานพื้นบ้าน-ภาคใต้ 2 ภาษา (ไทย-อังกฤษ). กรุงเทพฯ: บริษัท แปลน ฟอร์ คิดส์ จำกัด, 2550.

• สำราญ เพ็ชรชัย. จารอกีตอ. Jarogeetaw. แปลโดย วิศรา วิจิตรวาทกร และวริตตา ศรีรัตนา. สมุดภาพนิทานพื้นบ้าน-ภาคใต้ 2 ภาษา (ไทย-อังกฤษ). กรุงเทพฯ : บริษัท แปลน ฟอร์ คิดส์ จำกัด, 2550

PAPER PRESENTATIONS

Presentations in English

2014

• “‘You Mustn’t Take Literature So Seriously’: Michal Viewegh’s Bringing up Girls in Bohemia (1994) as a Comically Serious/Seriously Comical Revenge on Postmodernism, Failures of Education and Capitalist ‘Activists of Convenience’” at Humanities and Social Sciences: Multidiscipline beyond Frontiers—The 8th International HUSOC Conference at the Faculty of Humanities, Kasetsart University, Thailand

• “Particular Modernity/Transnational Modernism: The Czech and Slovak Case [from a Thai perspective]” at Transnational Modernisms: The 2nd Australian Modernist Studies Network Conference, University of Sydney, Australia

• “Eastern Europe, the Artful Devil of Capitalist Tourism and the Devilish Art of Historical Embalmment as Utopian Dystopia in Jáchym Topol’s The Devil’s Workshop” at Space, Race, Bodies—Geocorpographies of the City, Nation and Empire: The 8th Annual Somatechnics Conference at the University of Otago, New Zealand, an event organised by the Department of Media, Film and Communication (MFCO), the Postcolonial Studies Research Network (PSRN), the Somatechnics Research Network (University of Arizona) and the Sexuality Research Group at the University of Otago

• “‘Do as you please, comrades, make a dog of me, spit on me too’ : Initiation Ceremonies, the Rape of History and the Ravages of Political Fanaticism in Milan Kundera’s The Joke” at Changing Humanities in a Changing World International Conference: The 8th Humanities Research Forum in Thailand, organised by the Faculty of Humanities, Chiang Mai University, Thailand

• “‘That is why I am free to dream of Prague’: A Critique on Authorial Nationality Discourse in Laurent Binet’s HHhH” at A View from Elsewhere International Conference, a part of the Literature and Film without Borders: Dislocation and Relocation in Pluralistic Space research project funded by the European Social Fund and the state budget of the Czech Republic, organised by Palacký University, Olomouc, Czech Republic

• “‘I do not believe in the Bolshevik Cult’ [‘ข้าพเจ้าไม่เชื่อในลัทธิบอลเชวิค’]: The Russian Revolution as Uncanny idée fixe in Arkartdamkeung Rapheephat’s Views on the Circus of Thai Education and on the Prophetic (Broken) Dreams of the Siamese Revolution” at ENITS Scholarship Research Presentation 2014: Empowering Network for International Thai Studies (ENITS) Project, organised by the Institute of Thai Studies, Chulalongkorn University

• “‘But that is perhaps why I can talk of where I want to be without always being dragged back to my starting point’: Rethinking and Re(-)Membering East-Central European Histories of Violence and Dissidence through Historical ‘Infranovels’” at Dissent!: Histories and Meanings of Opposition from 1968 to the Present Conference organised by the Research Group in International Studies (RGIS), Department of Culture and Global Studies, Aalborg University, Denmark

2013

• “‘The wall was to be a protection for centuries’: The Problem of Spatialisation of Time in Franz Kafka’s ‘The Great Wall of China’” at Travelling Narratives: Modernity and the Spatial Imaginary International Symposium, organised by the English Department, University of Zurich, Switzerland

• “A ‘Laboratory of Twilight’ Versus a ‘Pub in Bořivojova Street’: Demystifying the Czech Myth and Decentring Central Europe in Emil Hakl’s Of Kids and Parents (O rodičích a dětech)” at The Second International Conference: “Re-Inventing Eastern Europe” organised by Euroacademia at the Grand Majestic Plaza Hotel, Prague, Czech Republic

• “‘Because Slovaks are the best people in the world and the Slovak language is the most beautiful language in the world’: Defamiliarising the Slovak ‘Imagined Community’ in Samko Tále’s Cemetery Book” at Lure of the Magical: Imagination and Contemporary Arts and Literature Conference at the Department of English and American Studies, Faculty of Arts, Constantine the Philosopher University, Nitra, Slovak Republic

• “‘We agreed to call ourselves the Union of Higher Beings’: Timrava and the Dawn of Slovak Modernism” at Alternative Modernisms: An International Interdisciplinary Conference at Cardiff School of English, Communication and Philosophy, Cardiff University

• “‘Why should we welcome the King of England? Didn’t Parnell himself…’: James Joyce’s (Re-)Vision of ‘Englishness’ and Virginia Woolf’s (Re-)Vision of ‘Irishness’ as Postcolonial Symptoms” at the James Joyce Seminar, Department of English Language and Literature, Faculty of Education, Comenius University in Bratislava

2012

• “Entering Anita Desai’s ‘Realm of Freedom’: Technology of Place and the (Re-) Mapping of Self and ‘India’ in Games at Twilight” at the Bharatasamay International Conference on Indian Writing in English, Faculty of Arts, Chulalongkorn University

• “‘When life is haunted, not by Death in the fullness of time, but by Death’s fast-encroaching shadow’: Dismembering/Re(-)membering Life and Death in Katherine Mansfield’s “The Fly” and Virginia Woolf’s “The Death of the Moth” at In the Footsteps of Katherine Mansfield International Symposium, Crans-Montana, Switzerland, hosted by the British Residents Association, the English Department of the University of Geneva and the Katherine Mansfield Society

• “‘Because the waiting is a sort of Heaven, too, darling’: Travelling and Transitory Places in ‘Something Childish but very Natural’” at Katherine Mansfield and Continental Europe Conference, the Faculty of Arts and Letters, Catholic University in Ružomberok, Slovak Republic

2011

• “‘Like Father, (Un)like Daughter’: Virginia Woolf the Essayist on/amidst Sir Leslie Stephen’s Victorian ‘Atmosphere’” at From Queen Anne to Queen Victoria: Readings in 18th and 19th century British Literature and Culture Conference, the British Studies Centre of the University of Warsaw, Poland

• “America, ‘That Alluring Land’ Which They Both Have Never Seen: Technology of Place in the Works of Timrava and Virginia Woolf” at Literary Dimensions: Reading Time and Space International Postgraduate Conference at the Faculty of Humanities, Maria Curie-Skłodowska University, Lublin, Poland

• “‘A Region of Very Strong Sensations’: Virginia Woolf’s Marginalia as Spaces/Non-spaces of/in ‘Becoming’” at Contradictory Woolf: The 21st Annual International Conference on Virginia Woolf, University of Glasgow

• “‘Carrying consciousness like a feather on the top, marking the direction, not controlling it’: Virginia Woolf and Buddhist Consciousness” at the 4th International Conference on Consciousness, Theatre, Literature and the Arts, University of Lincoln

• “‘In so narrow a space you must choose your note and strike it firmly’: Virginia Woolf’s Essays as Spaces of Juxtaposition and Creative Appropriation” at In Comparison: Juxtapositions, Correspondences and Differentiations in English Studies: The 20th Annual Conference of the Polish Association for the Study of English, Nicholas Copernicus University, Toruń, Poland

• “‘It is far too hot to give any sensible coherent criticism of your paper’: Virginia Woolf’s Letters as ‘Living’ Literary Criticism” at Picture This: postcards and letters beyond text Conference, University of Sussex

• “‘Martin was in the jungle alone, and the sun was sinking’: The Weather, Culture and Identity in Virginia Woolf’s The Years” at the 4th Global Conference on Interculturalism, Meaning and Identity, Prague, Czech Republic

2010

• “‘Carrying consciousness like a feather on the top, marking the direction, not controlling it’: Migrancy in Virginia Woolf’s Marginalia and Essays” at Migrancy and the Text Postgraduate Conference, Faculty of Arts and Sciences, Kingston University

• “‘It was an uncertain spring’: The Ambivalent Weather as Technology of Place in Virginia Woolf’s The Years” at the Postgraduate Forum, School of English, University of St Andrews

• “‘It was an uncertain spring’: Reading the Weather in The Years” at Virginia Woolf and the Natural World: The 20th Annual International Virginia Woolf Conference, Georgetown College, Georgetown, Kentucky

• “‘For the Love of Wisdom’: A Proposal to Make Philosophy a Compulsory Subject in Mathayom 1-3 Curricula” at Collaboration between Government, Private, Industrial and Research Sectors for Thailand's Sustainable Development: The 3rd Annual Samaggi Academic Conference 2010, Imperial College, London

2009

• “‘A Most Bewildering and Whirligig State of Mind’: Social Dreaming and Alternative Utopian Space in Virginia Woolf’s Orlando” at The Artist Under the Microscope Post-war Conference at Ustinov College, University of Durham

• “‘A Most Bewildering and Whirligig State of Mind’: Social Dreaming and Alternative Utopian Space in Virginia Woolf’s Orlando” at the Postgraduate Forum, School of English, University of St Andrews

• “‘A Most Bewildering and Whirligig State of Mind’: Social Dreaming and Alternative Utopian Space in Virginia Woolf’s Orlando” at Crossing the Borders-Transgressing the Boundaries in Literatures in English International Conference, Department of English Language and Literature, Faculty of Humanities and Natural Sciences, University of Prešov, Slovak Republic

• “‘Unleashing the Underdog’: Technology of Place in Virginia Woolf’s Flush” at Moving Forward: The 6th Annual College of Arts and Social Sciences Postgraduate Conference, University of Aberdeen

• “‘Unleashing the Underdog’: Technology of Place in Virginia Woolf’s Flush” at Woolf and the City: The 19th Annual International Virginia Woolf Conference, Fordham University, Lincoln Centre, New York

• “‘Unleashing the Underdog’: Reading ‘Place’ as Text and Revolutionary Tool in Virginia Woolf’s Flush at Textual Revolutions: An Interdisciplinary Postgraduate Conference, Department of English Studies, University of Stirling

• “‘I’m going to Bangk(c)o(c)k’: On the Technology and Construction of Place” at Solutions for Thailand: How can we change Thailand in the next decade?: The 2nd Annual Samaggi Academic Conference, University of Cambridge

2008

• “‘Unleashing the Underdog’: Technology of Place in Virginia Woolf’s Flush” at the Postgraduate Forum, School of English, University of St Andrews

• “‘Thai and Foreign Tomboys on Screen and Paper’: An Analysis of the Marginal Identity of Tomboys in Popular Film and Literature” at the CUASEAN International Conference on “Language, Literary Works and Culture in ASEAN: Diversity in the Unity”

2006

“A ‘Right Poet’ in His Means (a ‘Modern Poet’ in His Ends): John Donne and the Concept of the ‘Right Poet’ in Sir Philip Sidney’s An Apology for Poetry” on the English department’s annual academic forum

Lectures/Presentations in Thai

2015
“From London in 1938, Prague in 1948, New Delhi in 2012 (to Bangkok in 2015)—How Far Have We Come?: The Implications of Gang Rape in Virginia Woolf, Milan Kundera and the ‘India’s Daughter’ Documentary” 2012
“‘Air Conditioners, America, Flies and Moths’: Martin Heidegger’s Concepts of Space, Technology and Death in the Literature of the Twentieth Century” at the Department of Philosophy, Chulalongkorn University

2008

• “Historical Fiction in a Postcolonial Perspective” at the Ashram Vijaya Project Session, Chulalongkorn University

• “‘Thai and Foreign Tomboys on Screen and Paper’: An Analysis of the Marginal Identity of Tomboys in Popular Film and Literature” at the “Inside/Out in Queer Studies” Seminar organised by the Department of Comparative Literature, Chulalongkorn University

• “‘Thai and Foreign Tomboys on Screen and Paper’: An Analysis of the Marginal Identity of Tomboys in Popular Film and Literature” at the 1st Annual Conference on Sexuality Studies in Thai Society